His self-titled debut landed him three Spellemann Award nominations – Norway’s version of the Grammys, essentially – and since then Jonas Alaska has released six more albums that people keep circling back to, the kind of records that travel well beyond Norway. People in other countries hear his voice and recognize something, even if they can’t name it. That’s the mark of a songwriter who has tapped into something real: his songs feel like they’ve always existed, like you’re just remembering them instead of hearing them for the first time.
The first time I heard his music was the evening after I filmed the first session with Ole Kirkeng in my backyard, four or five years ago. ‘The moon is still up, and the wind is bullying the trees again.’ I was sold after the first line of The Moon & The Steeple, the opening song of Jonas Alaska’s fourth album Fear Is A Demon. So, it was quite the pleasure to have him film a session during my visit to Oslo in September of 2025. At the lovely Kampen Bistro, right after Kirkeng recorded his third session, Jonas Alaska walked in and played four songs: covers of Neil Young’s Powderfinger, Bob Dylan’s Tomorrow Is A Long Time and his own On The Floor and If I Don’t Come Home – two songs that will leave you teary-eyed and grateful for everything you’ve got.
“No Direction Home blew my mind completely and I never looked back.”
“Well, the name of this website is The Influences, and I’d say my main influences are Bob Dylan and Neil Young. Although I also get inspired by something completely different, that’s the core. Bob Dylan is the reason I started writing music at nineteen years old. I discovered him when I was 16, or I rediscovered him. I grew up with Paul Simon, Neil Young, and Bob Dylan. But I rediscovered him when I saw the Martin Scorsese documentary No Direction Home. That movie blew my mind completely and I never looked back. But I didn’t try to write a song until many years after. I wrote shitty songs for a couple of years and then started to find my way, I think.”
Jonas Alaska started playing guitar when he was eleven or twelve years old. “And I think Neil Young’s Harvest was the first song I learned. But I was mainly just a skateboard dude. So, my main focus was just skateboarding. I liked alternative bands like Tortoise, and the Norwegian band Jaga Jazzist, stuff like that. And then I saw the Dylan documentary and my head came off.”
“I was scared to try to write a song, because I was scared that it was just going to reveal that I’m hopeless. So I didn’t try for a year, and just learned all the Dylan songs I could. And my first attempt was horrible, and I was so disheartened by it. But then I managed to make a song by chance almost. There was a country song from a Norwegian band, and I just took the timing of it and wrote something under it. That kind of fooled me into it. But it took me a while.”
“I love Bob Dylan more than music.”
“I love Bob Dylan more than music. It’s something else for me; I’m fanatic. But I I’ve never really figured out a way to play his songs. When I hear cover songs of Dylan, I always just prefer him. My favorite song is maybe It’s Alright, Ma (I’m Only Bleeding), but there’s no way I could cover that without sounding like a parody. But that song, Tomorrow Is A Long Time, I felt like I could maybe do that. It’s just a complete copy of his version though, but I feel like it works with my voice. And I was really moved the first time I heard it, which was in the credits from the movie, I’m Not There, which Heath Ledger plays in.”
“I’m always going to try to create something.”
After saying he has been pretty productive ever since, Jonas Alaska responds: “It doesn’t feel like it, but I hear that sometimes. I’d like to write a song a day, and I can’t, and sometimes it just feels impossible. But when I’m inspired and when I’m creative, I tend to make a lot in that period. But there’s a long period when I’m just on the couch watching the same movie.”
Or on the floor with his kids.
“Yeah, that’s mainly what I do now. And it’s hard being a father and writing songs. I think there’s pros and cons with it, because I think the songs I write now are maybe a bit more mature. But I struggle with bringing the kids in kindergarten and then going to work. I’m tired until 6 in the evening. So, I don’t write as much. And they’re all I really care about now.”
‘The ambition is starting to come back’
“All the cliches are true when you have a kid, but just not in the way that I thought it was going to be. It’s the biggest, the most beautiful thing. But it’s also almost scary, so all the ambition from music has been lowered, because I just want safety for me and my kids. And there’s not much safety in being a singer-songwriter. But thankfully, it’s working out okay, and I’m still inspired.”
“They’re sick of my guitar playing now. They’re like: ‘Could you be lower it, please, dad, because I’m trying to watch something here’. I’ve always had that feeling that I’m always going to try to create something. Since I was a child, I’ve loved drawing and painting and writing stories and stuff like that. That’s always going to be there, I think. Having kids was probably a good thing for my development as a songwriter, and the ambition is starting to come back.”
Photos
















Originals
Powderfinger (Neil Young)
Tidal | Apple Music
Tomorrow Is A Long Time (Bob Dylan)
Tidal | Apple Music
Jonas Alaska
Credits
Filmed & edited by Matthijs van der Ven.
Audio recorded & mixed by Matthijs van der Ven.
Location
Kampen Bistro
Oslo, Norway
Thanks
Thanks
Eivind Eide Skaufjord
Die With Your Boots On Records
Jansen Records
Kampen Bistro
Erik Laeskogen
Darling West
Ole Kirkeng
There is no better way to discover music than watching great musicians cover the songs they love. The Influences has been producing these videos ever since 2008.
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