Abe Partridge

Abe Partridge

Abe Partridge isn’t your typical folk singer. Hailing from the Gulf Coast, he brings a raw, unapologetic voice to the Americana scene, mixing personal storytelling with biting social commentary. After years on the road, and with a growing reputation for his thought-provoking lyrics and captivating performances, Abe’s music feels as authentic as it gets. His most recent work captures that restless spirit perfectly, merging southern history with intimate personal experiences.

When we filmed this session at the TakeRoot festival, there was something special in the air. With covers of Hank Williams’ I’ll Never Get Out Of This World Alive and John Prine’s Crazy As A Loon – for which he was joined by Dalton Mills and his original Breaking Up Christmas. Partridge’s performance was a perfect reflection of his unique style—one part humor, one part reflection, and a whole lot of soul.

Check back soon for the session Dalton Mills recorded, minutes after we filmed this one. Or better yet; subscribe to the newsletter and be the first to watch.

Other creative avenues

Partridge along with co-producer Ferrill Gibbs created the Alabama Astronaut podcast, where Partridge attempts to properly record songs previously undocumented at holiness, serpent-handling churches in Appalachia. What transpired as he set out on this mission ended up changing his life

When Partridge is not writing or touring, he is also a acclaimed visual artist. His paintings, primarily acrylic on tarred board and watercolors, now hang in art galleries around the southeast. He painted the cover art for Charlie Parr’s, Last Of The Better Days Ahead. Partridge also created art for Tyler Childers’ 2022 release, Can I Take My Hounds To Heaven?.

“Christmas has never been the same.”

“This song is about the ways that holidays are only as good as the folks you get to spend them with. My grandmother always loved Christmas. Some of my fondest childhood memories were spent with my grandmother around Christmas time. Tragically, she passed away several years ago, and Christmas has never been the same for our family.” 


Please sign up to the newsletter

Please wait...

Thank you for signing up!

Photos


Originals

Crazy As A Loon (John Prine)
Tidal | Apple Music

I’ll Never Get Out Of This World Alive
(Hank Williams)
Tidal | Apple Music

Abe Partridge

Website
Bandcamp
Apple Music
Tidal

Credits

Filmed by Matthijs van der Ven & David Lawson Froggatt.
Edited by Matthijs van der Ven.
Audio recorded & mixed by Matthijs van der Ven.

Location
TakeRoot Festival
Groningen, The Netherlands

Thanks
Dalton Mills
Joey Ruchtie
TakeRoot
Arne Lampe
Eurosonic Noorderslag
Gijs van de Burgt (Harvest Music)

There is no better way to discover music than watching great musicians cover the songs they love. The Influences has been producing these videos ever since 2008.

Read more.

Keep watching

Thank you for watching and enjoying this session. You’ll probably like some other sessions from The Influences’ archive too, like these earlier ones we filmed at TakeRoot festival.

  • Tyler Ramsey

    Tyler Ramsey

    Five years after his first session for The Influences, Tyler Ramsey joined us at the same TakeRoot festival and recorded a new one, with covers of Ron Sexsmith’s Tell Me Again and Neil Young’s Sail Away and his own We Were A Small Town. That song is from his new stunning Phil Ek produced record…

  • John Paul White

    John Paul White

    For the last seven years, The Influences has collaborated with the TakeRoot festival in Groningen, and filmed sessions with musicians from the festival’s line up. November 2nd this year, we filmed a record amount of eight sessions in one day. The first to see the light, is this one with non other than John Paul…

  • Jeffrey Foucault

    Jeffrey Foucault

    In September Jeffrey Foucault released The Universal Fire, his first album of entirely new material since 2018. He calls the album ‘both a working wake – Foucault lost his best friend and drummer Billy Conway, to cancer in 2021 – and a meditation on the nature of beauty, artifact, and loss’. We talked about that…